Kraftwerk created the soundtrack for the digital age of the 21st century. They are considered to be pioneers in electronic music and an endless source of inspiration for a wide range of musical genres: from Electro to Hip Hop, from Techno to SynthPop. They have made musical history and achieved recognition all over the world for more than four decades now.
Since their beginnings in the early Seventies they worked with the latest achievement of modern technologies, produced revolutionary electronic “sound paintings” and experimented with synthetic sounds, voices and automatic mechanical rhythms. They composed sound poetry with highly condensed texts and programmed their robot image as an expression for the theme of a world dominated by machines and computers.
Kraftwerk will perform at Club To Club their 3-D concert series “The Catalogue – 1 2 3 4 5 6 7 8“: a chronological exploration of Kraftwerk’s sonic and visual experiments that presents eight classic master works from across their celebrated repertoire with spectacular 3D visualisations and effects. Combining sound and images, the performances showcase more than four decades of musical and technical innovation, including new improvisations, 3D projections and animation. Commencing with ‘Autobahn’, each night covers two of Kraftwerk’s groundbreaking studio albums in full and appear in order of their release alongside additional compositions from their back-catalogue. ‘Autobahn’ (1974), ‘Radio-Activity’ (1975), ‘Trans Europe Express’ (1977), ‘The Man-Machine’ (1978), ‘Computer World’ (1981), ‘Techno Pop’ (1986), ‘The Mix’ (1991) and ‘Tour de France’ (2003).
The multimedia project Kraftwerk was founded in 1970 by Ralf Hütter and Florian Schneider within the experimental art scene of the late Sixties in Düsseldorf. They set up their legendary electronic Kling Klang Studio where they composed and produced all the groundbreaking Kraftwerk albums. Right from the start, Kraftwerk regarded their concert performances as complete audio-visual events. The Kraftwerk sound and image has been a long-term influence not only in music, but also in the world of contemporary visual art. Texts, style, and media-reflective strategies incorporated the themes and issues of the information era, namely the interaction between men and machines.